When a playwright starts working on their play, they might not think about the format first. But once inspiration strikes, the structure of their script is what brings their vision to life on stage.

The playwright Jeremy O. Harris’s “Slave Play. Not a Movie. A Play.” wears its intellectual references on its sleeve. By Annie Aguiar Jeremy O. Harris’s new documentary — titled “Slave Play. Not A ...

Drama Notebook has introduced a cost-effective way for drama teachers to access royalty-free scripts and lesson plans, offering a valuable resource for educators working with plays for kids, teens, ...

The muted reaction to the Edinburgh Fringe show “TERF” suggests that when activists engage with potentially inflammatory art, offense can quickly vanish. By Alex Marshall Reporting from Edinburgh ...

Coupang Play’s upcoming drama “Family Plan” (literal translation) has shared a photo from its script reading! “Family Plan” is a drama about people with special abilities who disguise themselves as a ...

When John Hughes wrote “The Breakfast Club,” he had his eyes set on the stage — not the big screen. Adam Fields oversaw the production of the iconic 1985 flick and, 40 years later, shared some insight ...