Too brief to get anything down but a scribble, the roughest mass of a body in space. Then came the longer poses. This is when you started to take in the person—the real person, the real body. Like ...
As we all possess a body, we think we know what it looks like. When we draw it, we bring to bear that prior knowledge and we draw that rather than the exactitude of the arm or leg that’s in front of ...
OG Abel (Abel Izaguirre), “Love & Hate” (August 19, 2012), graphite on paper in LA Liber Amicorum / Graffiti Black Book (Los Angeles, 2012), Getty Research Institute, Los Angeles. Gift of Ed and ...
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