When Tom Every was a young child growing up in 1940s rural Brooklyn, Wisconsin, his family worked toward salvaging scraps of metal that could be contributed for the benefit of the U.S. in World War II ...
I want to show you something,” Luis Varela-Rico, 38, says, walking toward one end of the narrow room at PublicUs, where his large steel sculpture of a human hand—titled “Organic Study #1”—has hung ...
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